[17], Folk punk or rogue folk is a fusion of folk music and punk rock, or occasionally other genres, which was pioneered by the London-based Irish band The Pogues in the 1980s. However, by the end of the decade a fragmentation has been observed, with many new forms of music and sub-cultures, including hip hop and house music, while the single charts were once again dominated by pop artists, now often associated with the Hi-NRG hit factory of Stock Aitken Waterman. Tubeway Army, a little known outfit from West London, dropped their punk rock image and topped the UK charts in 1979 with the single "Are Friends Electric? [16] Napalm Death inspired other British grindcore groups in the 1980s, among them Extreme Noise Terror,[16] Carcass and Sore Throat. V. Bogdanov, C. Woodstra and S. T. Erlewine, D. Hesmondhaigh, "Indie: the institutional political and aesthetics of a popular music genre" in, "Crustgrind," "Grindcore Special" part 2, p. 46, G. Wald, "Soul's Revival: White Soul, Nostalgia and the Culturally Constructed Past. Learn to read, there are other top tens where Led Zeppelin can shine legitimately. [51][54] MTV also managed to introduce British bands to the American mainstream that probably wouldn't have gained the publicity otherwise. [56] In 1984, a majority of acts that signed to independent labels such as The Smiths were mining various rock influences becoming an alternative to the Second Invasion. He ruled the decade with his soft rock solo work, but, amazingly, also maintained an incredibly successful side job moonlighting as frontman for progressive-turned-arena rock band Genesis. Sold by MomsDVDShop and ships from Amazon Fulfillment. The advent of MTV and cable video helped spur what has been seen as a Second British Invasion in the early years of the decade, with British bands enjoying more success in America than they had since the height of the Beatles' popularity in the 1960s. It also became dominant for many New Romantic acts like Visage, Ultravox, Duran Duran and Japan. This London new wave group’s jazzy, hyper-polished sound took a magpie-like approach to early-’80s British pop music, borrowing the slinky horns and Roxy Music vibes of new romantic bands … Club Nouveau. These included thrash metal and death metal, both developed in the USA; black metal and power metal, both developed in continental Europe, but influenced by the British band Venom; and doom, which was developed in the US, but which soon were adopted by a number of bands from England, including Pagan Altar and Witchfinder General. Early thrash and power metal to soaring fist-pounding anthems Links to bands and artists of the 80s. [7] Gothic rock gave rise to a broader goth subculture that included clubs, various fashion trends and numerous publications that grew in popularity in the 1980s, gaining notoriety by being associated by several moral panics over suicide and Satanism. Morrissey, Johnny Marr, Andy Rorke and Mike Joyce were hailed as “the most important alternative rock band to emerge from the British independent music scene of the 1980s." 1. Former Wham! Top chart hits of the eighties. So many bands just missed: Black Flag, Butthole Surfers, Echo & The Bunnymen, Love & Rockets, Cocteau Twins, the Meatmen, Dinosaur Jr., the … Britain had produced some blue-eyed soul singers in the 1960s, including Tom Jones and Dusty Springfield and interest had been maintained by figures such as David Bowie, but it was not until the 1980s that a clear genre of British soul music developed with flourishing soul scenes in major cities like London and Manchester, often with many black artists, supported by local and pirate radio stations. Queen. Robert Smith’s the Cure are one of most iconic British bands of the 1980s and 1990s, and hold a special place in the hearts of many music fans up and down the country. In the early years of the decade, while subgenres like heavy metal music continued to develop separately, there was a considerable crossover between rock and more commercial popular music, with a large number of more "serious" bands, like The Police and UB40, enjoying considerable single chart success. Another major milestone for house music was when "Jack Your Body" by American DJ Steve "Silk" Hurley became the first record from the genre to reach the number one spot in the UK Singles Chart in January 1987. [37] One of the earliest and most influential UK house and techno record labels was Network Records (otherwise known as Kool Kat records) who helped introduce Italian and U.S. dance music to Britain as well as promoting select UK dance music acts. Other key artists from the early to mid-1980s include Eurythmics, Talk Talk, A Flock of Seagulls, Tears for Fears, New Order, Pet Shop Boys, OMD, Thomas Dolby, Thompson Twins, Bronski Beat, Heaven 17, Howard Jones, Blancmange and Erasure. Stacia Timonere/Hulton Archive/Getty Images. When people consider the variety of music genres that peaked during the '80s, new wave often comes up as one of the first topics of discussion. There were also more conventional pop acts, including Bucks Fizz, whose light lyrics and simple tempos gave them three number ones after their Eurovision Song Contest victory in 1981. Led Zeppelin is a Legend! [3] By about 1983 the original movement had dissolved, with surviving acts dropping most of the fashion elements to pursue mainstream careers. This is a period that many remember fondly, and it became know for its vibrancy, extreme fashions, and its fun vibe. This all-female metal band was born in … Featured Channel. More Decade: '80s Channels '80s Aggression. [22] In 1983 in the UK, music magazine Record Mirror championed the gay underground sound and began publishing a weekly Hi-NRG Chart. It opened the door for a flood of Asian recording artists in the UK including Apna Sangeet, Chirag Pehchan, Sangeeta and DCS.[47]. What Difference Does it Make? In the early 1980s hi energy disco had become popular in the gay scene of American cities like New York and San Francisco with acts like Divine, and The Weather Girls. 25 Huge '80s Bands You Totally Forgot Existed. [51]:340, 342–3 In 1983, 30% of the record sales were from British acts. [45][46], By the mid-1970s, the demand among the relatively large Asian populations of many major British cities for familiar live music to entertain at weddings and other cultural occasions led to a flourishing Asian dance band scene, particularly bhangra from the Punjab which supported bands like Alaap, formed in Southhall in London and Bhujhungy Group from Birmingham. 80: 80. [12] Shoegazing bands dominated the British music press at the end of the decade along with the drug-fuelled Madchester scene. The best and brightest women in '80s rock music becomes far more interesting to compile once massive pop superstars from Madonna to Whitney Houston to Janet Jackson are deemed ineligible for inclusion. Along with Costello and Graham Parker, Jackson was one-third of the Three Angry Men on the English post-punk landscape. [51][55] Newsweek magazine featured Annie Lennox and Boy George on the cover of one of its issues while Rolling Stone would release an England Swings issue. In the 1980s, dance music records made using only electronic instruments became increasingly popular, largely influenced from the electronic music of Kraftwerk and disco music. Members of Bauhaus and Joy Division explored new stylistic territory as Love and Rockets and New Order respectively. This underrated New Romantic outfit made some special contributions to '80s culture, from the heavy... Joe Jackson. [48] Multitone Records began to release remix albums, and bhangra picked up influences from hip hop and soul, producing groups like X-executive Sounds and Hustlers convention. Ah, but listeners have so much more freedom of choice today, right? These British artists are rated only for their actions and recordings from 1963 to 1966. A British hip hop scene emerged in the early 1980s, largely based on American hip hop music at parties and club nights,[33] In this period some pop records dabbled with rap – such as Adam and the Ants' "Ant Rap" (1981), Wham! [53] They were followed by bands like Duran Duran, whose glossy videos would come to symbolise the power of MTV. The British Invasion began in late 1963, and ended with the beginning of 1967, when psychedelic rock became mainstream. Hip Hop Connection, the first major British hip hop magazine, was founded in 1989 and by the early 1990s the British hip hop scene seemed to be thriving. They had the several UK and worldwide hits during the 1980s and 1990s.… 1980s Hits. Their artists dominated British pop music and the charts in the late 1980s, including Bananarama, Rick Astley and Australian actress Kylie Minogue. These are the top 100 artists of the 1980's. Overall record sales rose by 10% from 1982. New Order. Summary. [15], Grindcore, or simply grind, emerged during the mid–1980s as an extreme music genre characterised by heavily distorted, down-tuned guitars, high speed tempo, blast beats, songs often lasting no more than two minutes (some are seconds long), and vocals which consist of growls and high-pitched screams. Based around The Haçienda, a nightclub in Manchester owned by New Order and Factory Records, Madchester bands such as The Stone Roses and the Happy Mondays mixed acid house dance rhythms with melodic guitar pop. Other acts and styles developed from the hip hop scene, resulting in new genres to describe them – for example Massive Attack[35] with trip hop, or Galliano with acid jazz. [40] The jazz revival was by the appearance of a new generation of British jazz and fusion musicians, including members of the jazz groups Level 42, Incognito, Jazz Warriors (formed 1986), Courtney Pine, Gary Crosby, and later Soweto Kinch. House music was a style of electronic dance music that originated in Chicago, Illinois, USA in the early 1980s. FREE Shipping on orders over $25.00. It’s hard to argue Culture Club not being one of the best bands of the ‘80s. [47], Alaap's 1979 album Teri Chunni de Sitare for Multitone records, mixed traditional dhol and tumbi with synthesisers and electro beats and was a surprise hit to those outside of the scene. House music generally mimics disco's percussion, especially the use of a prominent bass drum on every beat, but may feature a prominent synthesiser bassline, electronic drums, electronic effects, funk and pop samples, and reverb or delay-enhanced vocals. The group existed from 1977 to 1982. artist. It also explored the consequences of new technology and social change in the electronic music of synthpop. The band originally consisted of lead vocalist Jon Bon Jovi, guitarist Ritchie Sambora (left in 2013), bassist Alec John Such (left in 1994), keyboard David Bryan, and drummer Tico Torres. As one of the few bona fide punk rock artists to make an unabashed leap into mainstream pop/rock, Idol exposed himself to plenty of criticism, but the singer's unique brand of fist-pumping arena rock combined with a sneering, peroxide punk image somehow worked surprisingly well. 1 & US No. Grindcore, as such, was developed during the mid-1980s in the United Kingdom by Napalm Death, a group who emerged from the crust punk scene. [41] The Acid Jazz label was formed in 1987, producing a mix of hip hop and funk beat flavoured jazz stylings that put traditional jazz elements over modern beats. Now is their chance to shine as confident women performers … It achieved some mainstream success in the 1980s and, particularly as the subgenre of Celtic punk, has been widely adopted in areas of the Celtic diaspora in North America and Australia and by many bands in continental central and eastern Europe. In the second half of the 1980s, British pop music was dominated by Stock Aitken Waterman's "hit factory" with the uniformity of their Hi-NRG sound.[21]. Once a term used somewhat interchangeably with punk rock, new wave eventually expanded to include almost any quirky yet mainstream pop/rock form of the first half of the decade. 1 & UK No. Not only was there a firm base of rappers in London – such as Blade, Black Radical Mk II and Overlord X – but many distinct scenes developed nationally. It combines dark, often keyboard-heavy music with introspective and depressing lyrics. 50 Unfashionable But Brilliant 80s Bands That Time Cruelly Forgot. Influenced by David Bowie and Roxy Music, it developed glam rock fashions, gaining its name from the frilly fop shirts of early Romanticism. EMI Manhattan. [29] This interest was reflected in a series of covers or songs inspired by soul for a number of major acts, including Phil Collins's "You Can't Hurry Love" (1982), Culture Club's "Church of the Poison Mind" (1983), The Style Council's "Shout to the Top", (1984) Eurythmics' "Missionary Man" (1986), and Steve Winwood "Roll with It" (1988). The Police. Power through your workday with your favorite ‘80s music. 2 Bon Jovi Bon Jovi is a hard rock band formed in 1983, which had a streak of successful albums in the late 1980s. "Hi, I'm a Led Zeppelin fan and although my favorite band has not released any album since 1982 I still want to have this band in the top ten of the best British bands of the 21st century." [38] By late 1987, DJs like Paul Oakenfold and Danny Rampling were bringing the Ibiza sound to UK clubs like Shoom in Southwark (London), Heaven, Future, Spectrum and Purple Raines in Birmingham. Alternative rock, pop music style, built on distorted guitars and rooted in generational discontent, that dominated and changed rock between 1991 and 1996.It burst into the mainstream when “Smells Like Teen Spirit”—the first major-label single from Nirvana, a … Some of the most successful post punk bands in the 1970s, such as Siouxsie and the Banshees and The Psychedelic Furs, also continued their success during the 1980s. Hi-NRG ("high energy") is high-tempo disco music (often with electronic instrumentation), as well as a more specific, derivative genre of electronic dance music that achieved mainstream popularity in the mid to late 1980s. [28] In the 21st Century, bloggers and journalists have decided to categorise Sade and many of these blue-eyed soul singers/white soul[30] acts under new definitions such as the 'New Wave of British Jazz Pop'[31] and 'sophisti-pop',[32] though with the latter term some journalists have also included artists such as Kate Bush, ABC and Talk Talk, with the 'sophistication' coming from techniques used in the studio rather than a sophisticated jazz-pop/white soul sound. British artists, unlike many of their American counterparts, had learned how to use the music video early on. The number of songs music fans heard during the '80s directly involving Collins was astounding; the number of good ones was even more noteworthy. The duo of Roland Orzabal and Curt Smith enjoyed plenty of '80s fruits during their prime, but like many other hitmakers of the time, their best work somehow stayed too much in the shadows among pop music fans. The Mary Chain, along with Dinosaur Jr and the dream pop of Cocteau Twins, were the influences for the shoegazing movement of the late 1980s. 8 in 1986), and Rick Astley's "Never Gonna Give You Up" (UK No. The rise of the indie rock scene was partly a response to this, and marked a shift away from the major music labels and towards the importance of local scenes like Madchester and subgenres, like gothic rock.[1]. Boy George really captured the public attention and at the very least confused a … More serious British artists were rapping live or recording amateur tapes in the early 1980s, but the first British hip hop tune released on record was "London Bridge" by Newtrament in 1984. 9 on the Billboard Hot 100 in the summer of 1982. In the process, they released much memorable music that commands rabid fandom still today. [50][51]:340, 342–3 Several British acts signed to independent labels were able to outmarket and outsell American artists that were signed with major labels. Or maybe that's, even more, a reason to admire him, as an artist who pumped out an impressive variety of music and graced us with haunting, unforgettable tracks like ​"Man Out of Time" and "I Want You" on top of an already legendary '70s catalog. Whatever you remember the 80s for, one thing that is difficult to forget is the music. In Stock. If you — or someone you know — ever had a mullet, then you owe it to yourself to see if you can ace this Bands of the 80s quiz. But for me, the main draw for these synth-pop masters was the booming vocal style of Philip Oakey, whose pipes provided singular moments on the monster hits "Don't You Want Me" and "Human.". The dance-pop music of Frankie goes t… Paul Young Weeks charted: 84 No.of hits: 10 1)Wherever i lay my hat 2)Love of the common people 4)Come back and stay 4)Every time you go away 9)Everything must change 9)Im gonna tear your playhouse down 16)Tomb of memories 24)Wonderland 56)Some people 63)Why does a man have to be strong: Weeks charted: 84 No.of hits: 10 [4] The second generation of British post-punk bands that broke through in the early 1980s, in, tended to move away from dark sonic landscapes. [57], This article is about British popular music of the 1980s. [51]:392–393 MTV continued its heavy rotation of videos by Second Invasion acts until 1987. One of the most prominent and popular bands of the '80s, this Birmingham-based group rode an MTV-fueled music video wave to massive popularity in the U.S., spotlighting the particularly photogenic qualities of lead singer Simon Le Bon and bassist John Taylor. [43] The more reggae based music of UB40 allowed them to continue to chart into the twentieth century, enjoying four number ones in the UK, the last of these in 1994. The Jesus and Mary Chain wrapped their pop melodies in walls of guitar noise, while New Order emerged from the demise of post-punk band Joy Division and experimented with techno and house music, forging the alternative dance style. The first band to owe their American success solely down to their glossy music video receiving heavy rotation on MTV were the synthpop band A Flock of Seagulls, whose single "I Ran (So Far Away)" reached No. [20] Probably the most successful British pop band of the era were the duo Wham! And although I've never been a fan of his biggest hits (the overplayed "Sledgehammer" and "Big Time"), other classics of the era such as "Solsbury Hill," "Red Rain" and "In Your Eyes" simply increase their textured majesty through repeated plays. Warner Bros. [26], In 1980s, UK soul musicians such as Junior, Princess, the Pasadenas, Mica Paris, Soul II Soul, and Central Line[27] played soul music and had hit songs. with an unusual mix of disco, soul, ballads and even rap, who had eleven top ten hits in the UK, six of them number ones, between 1982 and 1986. Alphabetical Index of Bands & Artists of the Eighties (click on a letter) [8], Gothic rock, often shortened to goth, developed out of the post-punk scene in the early 1980s. Roxy Music has been inducted into the Rock and Roll Hall of Fame. Although it's a bit of a misnomer to call Costello an '80s artist or to link him to any one genre, this highly literate and versatile singer-songwriter was nonetheless a major force in the '80s, even if most of the damage he did was off the mainstream charts. Stock Aitken Waterman had three of the most successful Hi-NRG singles ever with their productions of Dead or Alive's "You Spin Me Round (Like a Record)" (UK No. [51] In April 1984, 40 of the top 100 singles were from British acts while 8 of the top 10 singles in a May 1985 survey were of British origin. Trevor Horn of The Buggles captured the changing scene in the international hit "Video Killed the Radio Star". After the lean years of the 1970s, there was something of a British jazz revival based in London's Soho in the 1980s. [20] Another band that dominated the charts within the early to mid-1980s were Culture Club with a blend of soul, rock, pop, new wave and reggae gathered them nine top ten hits and two number ones until they broke up in 1986. Flash back with the ‘80s radio hits you love! [42] Madness managed to sustain a career that could still chart into the second half of the 1980s, but the 2-tone movement faded early in the decade, and would have a longer term effect through American bands of the third wave of ska. Even so, his early '80s output has the capacity to stun when Jackson tackles matters of the heart, especially in the beautiful "Breaking Us in Two or "You Can't Get What You Want.". Popular music of the United Kingdom in the 1980s built on the post-punk and new wave movements, incorporating different sources of inspiration from subgenres and what is now classed as world music in the shape of Jamaican and Indian music. Below each artist's name are links to the year/s they entered the charts during the 80's. In the early 1980s, a UK house scene developed in cities such as London, Birmingham and Manchester, particularly at The Haçienda Club and on the holiday island of Ibiza. Adam and the Ants. "One Thing Leads to Another" and "Saved by Zero" were deserving pop hits, but the even better "Secret Separation" and "Deeper and Deeper" have always seemed highly underrated and underplayed to me. 55 Essential '80s Songs Alt-Rock And New Wave Tracks You Need At Your Party. Pioneers included Visage and Ultravox and among the commercially most successful acts associated with the movement were Adam and the Ants, Culture Club, Spandau Ballet[2] and Duran Duran. New Romantic music often made extensive use of synthesisers. The lure of a drab solo career turned Grant’s head but for a while he was at the fearless vanguard of British black music. [34] Over the next few years, more UK hip hop and electro was released: Street Sounds Electro UK (1984), which was produced by Greg Wilson and featured an early appearance from MC Kermit, who later went on to form the Wilson produced Ruthless Rap Assassins; The Rapologists' "Kids Rap/Party Rap" (1984), but releases and national publicity were still rare. Robert Smith & Co. quite simply produced some of the most enduring tunes of the era, a catalog that often surprises with its diversity and demonstration of stylistic mastery. [28] For the first time since the 1960s, there were also significant acts who specialised in soul. There are several genres in metal bands - Funk metal, Black metal, Hair metal, etc. (Enjoy What You Do)" (1982) and Malcolm McLaren's "Buffalo Gals" (1982). All were and continue to be vital singer-songwriters, but I think Jackson endures particularly well through his wide span of instrumental prowess as well as his wonderfully crotchety worldview. ​"Hungry Like the Wolf" and "Rio" left indelible visual and aural imprints on the era's music fans. Since 1992, the band has… Mötley Crüe 24, Heaven 17 — Temptation Do you remember these British male 80s singers? Level 42 is an English jazz-funk band formed on the Isle of Wight in 1979. [40], Having emerged from the post-punk and reggae scenes in the West Midlands in the 1970s, the ska revival associated with 2 Tone records was a remarkable commercial success in the early years of the 1980s. Having enjoyed some success a number of indie acts were able to move into the mainstream, including early indie bands Aztec Camera, Orange Juice and The Smiths, followed by The Housemartins and James. [28] Also significant were Sade, Swing Out Sister, Simply Red and toward the end of the decade, Lisa Stansfield. If you're a die-hard Anglophile with a deep love for early-'80s new wave, the odds are pretty … Music of Life went on to sign groups such as Hijack, the Demon Boyz, Hardnoise (later Son of Noise) and MC Duke. David Gans/Wikimedia Commons/CC by 2.0 Along with Costello and Graham Parker, Jackson was … That's because '80s rock harbored many worthy artists that often played second fiddle to the era's prominent pop stars. Unlike earlier Celtic rock and electric folk groups, folk punk groups tend to include relatively little traditional music in their repertoire, but instead usually performed their own compositions, often following the form of punk rock, using additional folk instrumentation, including, mandolin, accordion, banjo and particularly violin. From synth pop to varying styles of post-punk and alternative music, artists from England were busy on the '80s mainstream as well as its cutting edge. singer George Michael got the multi-platinum Faith album (1987). List of Hair Metal Bands of the ’80s. The bands, successful solo artists, and famous British groups of the 70s are too many to list. [39] The genre became more well known to the general public when it began to crossover into the mainstream singles chart around 1986, with the song "Love Can't Turn Around" by Farley "Jackmaster" Funk (featuring Darryl Pandy) generally being accredited as the first record to crossover from clubs to charts when it became a top 10 hit that year. There were also more conventional pop acts, including Bucks Fizz, whose light lyrics and simple tempos gave them three number ones after their Eurovision Song Contest victory in 1981. Videos you watch may be added to the TV's... 3. Eighteen of the top 40 and six of the top 10 singles on 18 July were by British artists. It drew inspiration from some of the most abrasive music genres – including death metal, industrial music, noise and the more extreme varieties of hardcore punk. More recently Roxy Music played a series of 40th-anniversary shows in 2011 but has since ceased performing. Other 1980s forms of British Indian music included the punk rock and rap of Aki Nawaz, the pop of Sheila Chandra, the hip hop of Joi Bangla and Osmani Sounds, and the ghazal/jazz fusion of Najma Akhtar. [51][52], With considerable boost from MTV airplay during July 1982, The Human League's "Don't You Want Me" had a three-week reign on top of the Billboard 100 chart, described by the Village Voice as the moment the Second British Invasion kicked off. Among the most successful performers were The Levellers,[18] and singer-songwriter Billy Bragg, who enjoyed a series of hits in the 1980s. By the mid-1980s, bhangra was the most popular music among British Asians and a youth scene of daytime bhangra raves were a major part of a growing youth culture. Adam and the Ants were an English new wave band active during the late 1970s and early 1980s. The C86 cassette, released in 1986 by NME and featuring such bands as The Wedding Present, Primal Scream, The Pastels, and the Soup Dragons, was a major influence on the development of indie pop and the British indie scene as a whole. This video contains content from Aviator Management GmbH and Fox, one or more of whom have blocked it on... 2. By using LiveAbout, you accept our, Top '80s Music Artists from Australia and New Zealand, Top '80s Songs from Hard-Rocking Glam Metal Band Dokken, The 8 Top Spandau Ballet Hits From the '80s, Top '80s Songs from the Revamped Lineup of Classic Rock Band Yes, The Most Influential '80s Rock Music Genres. The first UK record label devoted to releasing UK hip hop acts was Simon Harris' Music of Life label, founded in 1986. Although best known for contributions to a narrow '80s perception of Goth rock music and fashion, this highly versatile group unfortunately and too often escapes proper accolades for its devotion to songcraft. Alternately lush and spare, songs like "Boys Don't Cry," "In Between Days" and "Close to Me" offer sundry delights. uDiscover’s Top 10 UK 80s Indie Bands salutes some of the most enduring cult acts of the decade. This underrated New Romantic outfit made some special contributions to '80s culture, from the heavy blush makeup style of its members to the rather forward-looking gender equity exhibited in both vocal duties and the wearing of said makeup. In the ashes of his previous project, Timex Social Club, record producer Jay King formed this California R&B band ... 2. When it comes to fashion, movies, and music, the 80s is certainly a decade to remember. [49], The Second British Invasion consisted of acts that came mainly out of the synthpop and new wave genres. Duran Duran. Def Leppard is an English rock band formed in 1977 in Sheffield as part of the new wave of British heavy metal movement. [13], In the 1980s, the new wave of British heavy metal broke into the mainstream, as albums by Judas Priest, Iron Maiden, Saxon reached the British top 10.Many metal artists, including Def Leppard, benefited from the exposure they received on MTV and became the inspiration for American glam metal. was one of the band's first significant chart hits, peaking at number 12 in the UK charts in 1984. [14] However, as the subgenre fragmented into various subgenres, much of the creative impetus shifted towards America and continental Europe (particularly Germany and Scandinavia), which produced most of the major new subgenres of metal, which were then taken up by British acts. 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